Abstract This chapter describes a qualitative case study of digitally-mediated production and communication of research in the biological sciences. The study focuses on the citizen science “Heartbeats Project,” conceived by a U.S.-based evolutionary biology lab to explore the data behind the well-known rule that, on average, mammals’ hearts beat one billion times per lifetime. Our analysis describes three ways that polycontextuality and context collapse figured in the team’s production of digital, spoken, and print-based genres arising from their work. These dynamics complicate traditional understandings of the relationships between scientific and public genres, as well as existing conceptions of composition, genre, authors, and audiences in the production and circulation of scientific findings and the (re)production of science.