凝视
背景(考古学)
扩展(谓词逻辑)
机器人
舞蹈
人机交互
计算机科学
男性凝视
抗性(生态学)
面子(社会学概念)
美学
人工智能
社会学
视觉艺术
艺术
历史
社会科学
考古
程序设计语言
生态学
生物
标识
DOI:10.1145/3588428.3593824
摘要
Industrial robots have long been used for manufacturing and research purposes around the world. More recently they have also been used in the fields of art, performance, dance, and interaction design, where they have served as a collaborator, autonomous agent, and, in some cases, as an extension of the artist. This project explores how a robotic extension could engage with the critical feminist issue of "the male gaze." In doing so, it provides a brief theoretical context to the notion of the gaze in the context of visual culture and feminism. Finally, it illustrates the application of such a critical concept through the example of a robotic installation developed by the author for Milan Fashion Week in collaboration with Universal Robots. It engages with ways in which robots might extend the gaze through to discourses of resistance, whereby the gaze could be used to empower those who typically face discrimination.
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