Taking center stage: Early modern women’s tragedies on the contemporary stage

From wife murder to cloak-and-dagger plays, female bodies, minds, and financial status are, for the most part, disempowered and abused by male protagonists with societal compliance. Since the 2000s, coinciding with the approval of the Ley Integral contra la Violencia de Género (2004), a wave of stage adaptations emerged in Spain that questioned the marginalization of women characters in the comedia. I claim that this trend in performance has become a sociocultural phenomenon that uses the symbolic capital of the comedia to raise awareness of women's misrepresentation and gender violence and inequality.