幻想
钢琴奏鸣曲
浪漫主义
奏鸣曲循环
梦想
艺术
背景(考古学)
理性
程式化事实
魔术(望远镜)
文学类
哲学
艺术史
认识论
心理学
物理
历史
钢琴
宏观经济学
考古
量子力学
神经科学
经济
标识
DOI:10.1080/01411896.2023.2202819
摘要
This article examines Franz Schubert’s sonata-form transitions within the context of Romanticism’s stylized fantasy aesthetic. The analysis draws from the G Major Quartet (D. 887), E♭ Major Trio (D. 929), and C Major Quintet (D. 956). I argue that Schubert’s unique blending of two distinct tonal syntaxes in this music creates a moment of the fantastic, evoking a sense of “magic” where reality and dreams intertwine. This interpretation challenges the familiar readings of “dream” and “otherworldly” in current hermeneutic approaches to Schubert’s sonata forms, and offers novel perspectives in the broader discourse of “rationality” in Schubert’s music.
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