创造力
心理学
感知
自治
音乐剧
启发式
发电机(电路理论)
认知心理学
古典音乐
计算机科学
人工智能
社会心理学
视觉艺术
艺术
量子力学
操作系统
物理
功率(物理)
神经科学
法学
政治学
作者
Joo-Wha Hong,Katrin Fischer,Yul Ha,Yilei Zeng
标识
DOI:10.1016/j.chb.2022.107239
摘要
This study examines the evaluation of musical performances of artificial intelligence (AI) and the acceptance of AI music generators as musicians. Relying on theoretical frameworks of anthropomorphism and creative machine heuristics, a 2 x 2 experiment is designed, where both the perceived anthropomorphism of AI (high vs. low anthropomorphism) and its autonomy of creativity (independent vs. dependent creativity) are controlled. The study found that humanlike traits of an AI music generator led it to be accepted as a musician. However, whether it was autonomous when creating songs did not influence its perception as a genuine musician. Also, the evaluation of its songs was done independently from its attributes. Still, people who perceived the AI music generator as a musician appreciated its songs more than those who did not. The implications of the expected findings are discussed.
科研通智能强力驱动
Strongly Powered by AbleSci AI