比喻(文学)
奇怪的
诗学
调用
西克尔鳍
文学类
诗歌
女同性恋
论证(复杂分析)
阅读(过程)
艺术
代表(政治)
叙述的
暮光
美学
社会学
哲学
性别研究
人类学
化学
法学
天文
物理
政治
生物化学
语言学
政治学
出处
期刊:Victorian Studies
[Indiana University Press]
日期:2009-01-01
卷期号:51 (4): 687-687
被引量:12
标识
DOI:10.2979/vic.2009.51.4.687
摘要
This essay examines the cultural representation of women's encounters on the fin-de-siècle street and, in particular, the uncertainties that clustered around the possibilities of mutual, or one-sided, same-sex desire accompanying such meetings. It argues, through an examination of lyric poetry, paintings, and short fiction, for the usefulness of twilight—a time of shadowy ambiguity—as a trope to suggest these uncertainties. More than this, it maintains that the lyric and the developing genre of the short story were modes ideally suited to an invocation of the fluid, the uncertain, and the unnamable. This argument is advanced through a close reading of Charlotte Mew's strange short story "Passed," which is read as representative of a transitional moment in lesbian literary history.
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