口译(哲学)
表达式(计算机科学)
风格(视觉艺术)
等级制度
叙述的
美学
美女
内容(测量理论)
自然(考古学)
社交生活
作文(语言)
忠诚
艺术
文学类
视觉艺术
社会学
历史
语言学
哲学
计算机科学
政治学
法学
社会科学
数学
考古
程序设计语言
电信
数学分析
出处
期刊:Frontiers in art research
[Francis Academic Press Ltd.]
日期:2023-01-01
卷期号:5 (14)
标识
DOI:10.25236/far.2023.051405
摘要
Director Hirokazu Koreeda's films are unique in their documentary aesthetic style, which is somber and simple, calm and warm, and plainly realistic. In terms of content expression, he uses skillful and delicate expressions such as long takes, fixed lens, slow editing, and horizontal composition to dilute the traces of directorial creation, get rid of the constraints of techniques, and exude natural emotions, forming a unique social concern for the marginalized characters at the bottom of the hierarchy. In the study of Koreeda's films, three keywords are extracted: life, conflict, and death. Through analyzing representative long take paragraphs, I interpret his documentary, warm and restrained long take aesthetics. Koreeda uses long takes to show the beauty of Japanese life, eliminate family conflicts, and reflect on the issue of death, which can provide multiple perspectives of the film's rhythmic ambience, emotional expression, and marginal narrative for a deeper understanding of his films.
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