中国
文化大革命
风格(视觉艺术)
政治学
膨胀(宇宙学)
经济体制
经济
政治经济学
历史
法学
考古
物理
理论物理学
摘要
Abstract Stoking fear and hatred of foreign countries to serve internal needs has been a recurring pattern in Communist China. This article examines Chinese discursive treatment of the Soviet Union in 1966–1969 in textual, visual, and audio outlets. During the height of the Cultural Revolution, radical followers of Mao Zedong deliberately choreographed anti-Soviet propaganda in accordance with their evolving political agenda at home. By emphasizing the need to forestall “capitalist restoration” in China, the propagandists alleged that capitalism had already been restored in the USSR. In the face of strong inner-party objection to the terror and destruction of the Cultural Revolution, Maoist polemicists discredited and attacked their domestic foes by accusing them of disloyalty and collaboration with Soviet “revisionists” to subvert China's Communist system. The radical Maoists sought to justify the chaotic violence of the Cultural Revolution by conjuring up the threat of a Soviet invasion, hoping to refocus domestic mass struggle on alleged sympathizers of the USSR. Yet Mao's invocation of this war scare triggered a dangerous security dilemma and turned the USSR into a strategic enemy, a striking example of a self-fulfilling prophecy in world politics.
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