美学
归属
审美体验
休息(音乐)
艺术
心理学
社会心理学
医学
心脏病学
摘要
Abstract Offering aesthetic judgments of gardens is common. These judgments follow an evidentiary structure that is common to the evaluation of other aesthetic objects: summary judgments evidenced by the attribution of narrow formal aesthetic properties, “formal-adjacent” aesthetic properties, and relevant contextual relations. Yet, in a garden, these evidencing properties and relations take on forms that are different from those of other aesthetic and/or art objects. In this article, I consider these differences and consider whether aesthetic analyses of gardens rest on one or more conceptual mistakes. In the end, I conclude that we can meet all challenges.
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