描绘
叙述的
隐喻
身份(音乐)
女孩
阅读(过程)
文学类
解构(建筑)
农民
模仿
社会学
性别研究
风格(视觉艺术)
过渡(遗传学)
美学
历史
艺术
心理学
哲学
语言学
社会心理学
发展心理学
生态学
考古
生物
生物化学
化学
基因
出处
期刊:International journal of languages, literature and linguistics
[EJournal Publishing]
日期:2021-09-01
卷期号:7 (3): 106-110
标识
DOI:10.18178/ijlll.2021.7.3.295
摘要
In Ding Ling’s novels, she repeatedly adopted the diseased woman as the protagonist in order to present her own thinking of gender and social issues. By establishing a chronological reading of three protagonists, this paper will not only discuss the transformation of the metaphoric usage, but also explore socio-historical implications and gender issues in depth. To better understand both the features of Ding Ling’s artistic innovation and the transition of her identity, and more importantly, to reconfiguring the position of gender issues, this paper adopts the method of analysis and have close reading of three short stories written by Ding Ling, which are Sophia’s Diary, Girl Amao and When I Was in Xia Village, and combines the fictional stories with historical facts. In conclusion, Ding Ling’s depiction of diseased women gradually developed from a private narrative and imitation of romantism into a realistic style, revealing the struggles of peasant women who were damaged by the society, which suggested Ding Ling’s deconstruction of May Fourth discourse and exploration of her leftist identity.
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