A Study on Pigment Composition of Buddhist Cave Paintings Based on Hyperspectral Technology

The value of the Buddhist cave lies not only in the Buddha statues but also in the surface painting. Hyperspectral imaging technology, as an emerging and effective method for component identification, offers a non-contact and non-destructive approach to the preservation and restoration of oil paintings. This study employed hyperspectral cameras to capture common pigments on the surfaces of Buddhist caves. Then, the results were processed and used as a database to identify the paintings. Additionally, a series of experiments were conducted to examine the impact of binder, substrate types, and pigment sizes on the reflectance spectrum of the paints. The Spectral Angle Matching (SAM) algorithm was then used to analyze the Yuanjue Cave and Qiqushan Stone Carvings of the Tang Dynasty in China. The findings revealed that the position of absorption peaks in the reflectance spectra is not significantly influenced by the substrate but is affected by the binder. Moreover, the absorption depth varies regularly with particle size. Furthermore, the spectral matching results demonstrate that components can be accurately identified even for similar colors. Based on the pigment distribution, the study also inferred specific details of ancient paintings, including the painting steps and hidden information in the manuscript layout. These findings hold significant implications for the restoration of representative surface paintings of the Tang Dynasty Buddhist cave, providing a reference for the selection of restoration materials and methods.