电影院
史学
奖学金
电影研究
构造(python库)
批评
文学类
电影理论
美学
电影类型
中国文学
历史
艺术
社会学
中国
政治学
法学
考古
计算机科学
程序设计语言
标识
DOI:10.1080/01292980903293379
摘要
This article begins with a review of the debate on cross-cultural analysis and the relationship between Western theory and Asian texts that took place in film studies. Film scholars have often applied theories of melodrama to interpret Chinese family films, romances and art cinema. Given the vast differences between the historical and theoretical construct of melodrama and these Chinese films, it is advisable to locate an intrinsic and, perhaps, more illuminating term to explain Chinese-language cinemas. The second part of the article focuses on Chinese wenyi as an alternative to the concept melodrama in writing Chinese film history and criticism. The review of the term wenyi and its shifting meanings and contexts demonstrates how a new corpus of wenyi cinema may emerge as a distinct historiography in film scholarship.
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