期刊:Journal of the Acoustical Society of America [Acoustical Society of America] 日期:2002-10-25卷期号:112 (5_Supplement): 2264-2265
标识
DOI:10.1121/1.4779040
摘要
Two experiments examined the role of timbre in music recognition. In both experiments, participants rated the familiarity of a set of novel and well-known musical excerpts during a study phase and then were given a surprise old/new recognition test after a retention interval. The recognition test was comprised of the target melodies and an equal number of distractors; participants were instructed to respond yes to the targets and no to the distractors. In experiment 1, the timbre of the melodies was held constant throughout the study and then either stayed the same or switched to a different instrument sound during the test. In experiment 2, timbre varied randomly from trial to trial between the same two instruments used in experiment 1, yielding target melodies that were either mismatched or matched in their timbre. Switching timbre between study and test in experiment 1 was found to hurt the recognition of the novel melodies, but not the familiar melodies. The mediating effect of familiarity was eliminated in experiment 2 when timbre varied randomly from trial to trial rather than remaining constant. Possible reasons for the difference between studies will be discussed.