Alban Berg: Historical and Analytical Perspectives

Berg's life and cultural environment, Douglas Jarman Man hat auch nur Fleisch und Blut - Towards a Berg biography, J.Peter Burkholder Berg and the possibility of popularity - Berg's style and technique, Mark DeVoto creeping chromaticism in Berg, Janet Schmalfeldt Berg's path to atonality - the Piano Sonata, Op 1, Robert P. organ the eternal return - Berg's retrogrades, Allen Forte the mask of tonality - Berg's Symphonic Interlude in Wozzeck, Allen Forte Douglass Green, a false start for Lulu - an early version of the prologue Claudio Spies, some notes on the completion of Lulu Patricia Hall, role and form in Berg's sketches for Lulu Leo Treitler, the character of Lulu.