主题(计算)
现代化理论
文明
背景(考古学)
感觉
中国
社会学
句号(音乐)
意识形态
环境伦理学
美学
历史
政治学
认识论
艺术
哲学
法学
考古
政治
计算机科学
操作系统
出处
期刊:Asian Culture and History
[Canadian Center of Science and Education]
日期:2020-04-08
卷期号:12 (1): 35-35
摘要
This paper discusses the theme of “progress” in Australian and Chinese cultures in the period of 1920s and 1930s. During this period, both cultures had an outpouring of patriotic and sentimental feelings. In this social context, both cultures constructed a theme of “progress” – the transformation of natural environment with human power, or the active participation in social life, for the purpose of “civilization”, a concept closely connected with the idea of social engagement, transformation and modernization. In Australia, this ideology was a continuation of the old idea of transforming “untamed” nature and bringing material progress through human labour; in China, it was a new theme which betrayed the old “reclusive” spirit. In Australia, it is represented most clearly in film, in China, it is represented in both film and painting.
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