EXPERIENCING FILM TOURISM

Authenticity, existential authenticity, sincerity, hyperreality and simulacra are overlapping concepts often used in accounting for the tourist experience. This study discusses these concepts in the context of a case study of Lord of the Rings film-induced tourism to New Zealand. Findings support an elaborated and extended version of authenticity that incorporates aspects of object and existential authenticity, sincerity of relationships and embodied experiences of place. These factors underpin tourists’ judgments and experiences of authenticity. Links are drawn between this analysis and the theoplacity framework for religious pilgrimage. It is concluded that value emanates not only from objects or sights but also from the moments of embodied interaction with place and others, which actively constitute those objects and sights.