符号学
意义(存在)
理解力
任务(项目管理)
章节(排版)
订单(交换)
社会学
美学
艺术
语言学
认识论
计算机科学
哲学
工程类
财务
经济
系统工程
操作系统
作者
Marco De Marinis,Giovanna Covi
出处
期刊:Theater
[Duke University Press]
日期:1983-01-01
卷期号:15 (1): 12-17
被引量:4
标识
DOI:10.1215/01610775-15-1-12
摘要
The following article is part of a slightly longer piece, the first section of which simply expands upon the work in reception theory previously carried out by de Marinis, Greimas, Jauss and others (see bibliography) in order to better define the manner in which the theatrical performance “manipulates” audience understanding. This analysis is followed by a far more detailed discussion, published here, of the opposite movement, the process whereby the audience itself takes charge of the task of assigning meaning to a performance.
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