纸卷
空白
美学
透视图(图形)
绘画
艺术
空格(标点符号)
视觉艺术
艺术史
哲学
工程类
语言学
神学
机械工程
标识
DOI:10.53469/jssh.2024.6(12).23
摘要
Reception aesthetics emphasizes the comprehensive role of multiple functions of works. For ancient Chinese hand-scroll paintings, blank space in the picture also reflects such an aesthetic principle. Blank space not only has a specific aesthetic image in the picture, but also is a summoning structure when appreciating the picture. This structure provides the viewer with the possibility of imagination and secondary creation. For this reason, ancient hand-scroll paintings not only need the beauty of blank space in the construction of the body of the painting, but also have similar structural functions in the mounting of hand-scroll paintings. This article conducts a relatively in-depth analysis.
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