动画
现代性
叙述的
意识形态
现代化理论
社会学
政府(语言学)
政治
美学
构造(python库)
功率(物理)
媒体研究
政治学
视觉艺术
文学类
法学
计算机科学
艺术
哲学
物理
程序设计语言
量子力学
语言学
标识
DOI:10.1177/1527476420933584
摘要
Entertaining animated television programs often carry significant educational and national discourses that are rarely given much scholarly attention. This article examines the Chinese children’s animation program Boonie Bears and explores its narrative strategies in portraying heroism. By employing content analyses, in-depth interviews, and focus groups, the article discusses how producers construct animation heroes according to the ideological framework of the Communist Party, economic preferences embedded in the Chinese market, and broader cultural expectations held by society. Finally, this article offers a preliminary exploration of the collaboration between political power and market forces in children’s animation, thus revealing the changing needs and interests of the government, producers, and audiences in the process of modernization, and the social significance of animation in Chinese modernity.
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