事后诸葛亮
计时表
民俗学
社会化媒体
社会学
脉冲(物理)
媒体研究
历史
美学
心理学
社会心理学
艺术
政治学
文学类
人类学
法学
物理
量子力学
出处
期刊:Language, culture and society
[John Benjamins Publishing Company]
日期:2022-11-25
卷期号:4 (2): 162-188
标识
DOI:10.1075/lcs.22003.div
摘要
Abstract Memes have been described as textual forms of “(post)modern folklore” ( Shifman, 2014 : 5). Photos or short videos, they highlight current cultural phenomena, and they spread exponentially through person-to-person sharing on social media platforms. For this article, I created a corpus of memes that circulated in March 2020, during the first weeks after statewide lockdown orders were issued in the U.S. in response to the COVID-19 pandemic. Drawing on Bakthin’s (1981) concept of the chronotope, I analyze a subset of these memes that specifically addressed the experience of time in confinement, illuminating two interrelated trends: the disruption of temporal order in the present and the projection of chronotopes of hindsight in which this present gets resolved as past. Through detailed textual analysis, I show that the memes reveal both a widespread sense of disorientation and a corollary impulse to mitigate it through the imagination of spatiotemporal realms. I argue that such chronotopic projections can serve as a response to temporary but profound uncertainty, caused in this case by the public health crisis in its initial stages.
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