转世
佛教
暂时性
美学
领域
超越(哲学)
重复(修辞手法)
数字媒体
即兴的
恍惚
社会学
视觉艺术
认识论
艺术
哲学
计算机科学
神学
历史
万维网
语言学
考古
程序设计语言
出处
期刊:Screen bodies
[Berghahn Books]
日期:2022-06-01
卷期号:7 (1): 128-145
标识
DOI:10.3167/screen.2022.070108
摘要
This article explores MetaObjects’ ongoing collaboration with Lu Yang to develop a live motion capture performance. As a studio facilitating digital production with artists, the knowledge acquired delves into the worldview of the artist reflected in works and in practice. Lu Yang’s work is inherently collaborative and evolves in increasing complexity with each iteration. Similarly, reincarnation and repetition are present in Buddhist conceptions of cyclic existence and the wheel of life. Lu Yang connects an interest in folk beliefs and Chinese medicine to neuroscience presenting a multi-layering of temporalities in contemporary culture. During the COVID-19 pandemic, the performance was transformed into an online experience, deepening Lu Yang’s interest in digital reincarnation. The work presents an interest in digital reincarnation where identities are fluid and open to reinvention in the virtual realm.
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