保密
电视连续剧
电视研究
机构
媒体研究
服务(商务)
政治学
广告
社会学
业务
营销
法学
作者
Michael L. Wayne,Ana C Uribe Sandoval
标识
DOI:10.1177/17496020211037259
摘要
This article examines the discourses of streaming success within the television industry by focusing on Netflix and two of the service’s original series: Fauda and La Casa de Papel. Using publicly available secondary data through 2019, this analysis argues the transnational platform’s efforts to redefine successful television while maintaining a high level of data secrecy necessitate the discursive construction of a global and undifferentiated audience. Yet, rather than representing a break with the past, the discourses of streaming success reveal Netflix to be a television institution attempting to address traditional industry challenges.
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